L'Amour Immortel

9-11 June 2017 (Fri – Sun) 7:45pm 10-11 June 2017 (Sat – Sun) 3:00pm

Hong Kong Dance Company (HKDC) is back not only with its award-winning dance drama, but its very first site-specific performance at the heritage hotel, Hullett House, and historical and cultural landmark, 1881 Heritage, on May 13 (Saturday). The Company will liven up the heritage site with a touch of poetry that defines its popular dance pieces. With the bustling Tsim Sha Tsui as its backdrop, the star-crossed lovers in L’Amour Immortel will come to life, dancing to the reminiscent melody of the theme song from the classic movie A Chinese Ghost Story. Commencing at the Grand Piazza and the upper terrace of 1881 Heritage, the dancers will waltz their way up to the Parlour at Hullett House, along with the corridor of St. George fine dining restaurant and the tranquil Loong Toh Yuen courtyard. After the exciting performance, the audience will have the opportunity to get up close with HKDC dancers, followed by an exclusive dinner buffet hosted by Hullett House. This performance lifts the curtain on the Company’s collaboration with Hong Kong’s oldest heritage sites, Hullet House and 1881 Heritage, and sets the mood for an eventful Mother’s Day!

 

Winner of three Hong Kong Dance Awards 2016, including Outstanding Performance by a Female Dancer, Outstanding Performance by a Male Dancer and Outstanding Set Design for Dance, L’Amour Immortel is a captivating adaptation of Hong Kong film icon Tsui Hark’s A Chinese Ghost Story. The rerun of L’Amour Immortel will be shown at the Hong Kong Cultural Centre from 9 to 11 June 2017. It follows the story of a bewitching ghost and good-natured scholar, and their fight against the evil forces to save their love. Gripping and poignant, this new interpretation in dance is sure to thrill audiences by celebrating the beauty of humanity.

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The Barber of Seville

May 5 & 6, 8pm May 7, 3:30pm
By Rossini

Rossini's prequel to Mozart's Figaro gets a modern make-over and international casting in this Opera Hong Kong production with its eponymous chorus supported by the Hong Kong Sinfonietta and Hong Kong Dance Company.

Part of the celebrations for the 20th anniversary of Hong Kong's handover.

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Post-Perception/Transcendence

March 31 and April 1, 8pm

City Contemporary Dance Company (CCDC) is proud to present a new production Post-Perception/Transcendence from 31 March to 1 April 2017 at Grand Theatre, Hong Kong Cultural Centre. The full-length production is choreographed by Sang Jijia, with Tang Shu-wing as dramaturg and Dickson Dee as composer.

“All phenomena are illusionary and unsubstantial”. Following his emotional letter to Hong Kong, Fragile Beauty, world-renowned Tibetan choreographer has created a new work to examine the many faces of life.

Post-Perception/Transcendence travels down the path of life, from the mundane to the monumental, facing life, death, and fate. Making this epic journey with Sang are dramaturg/text Tang Shu-wing, composer Dickson Dee, set designer Leo Cheung, costume designer Cindy Ho Pui-shan and lighting designer Low Shee Hoe. This will surely be the most magnificent work of the season.

Sang Jijia has been acclaimed as “the perfect dancer”. The winner of the Gold Medal in the Modern Dance section of the Paris International Dance Competition in 1996, he was hailed by the Guangdong Provincial Government as “The Star of the Century” in 1997. In 2002, Sang Jijia was chosen by the Rolex Mentor and Protégé Arts Initiative to study choreography under William Forsythe in Germany. Afterwards, he stayed with the Frankfurt Ballett and the Forsy the Company as assistant choreographer and dancer. He is now the resident choreographer of CCDC.

Tickets are now available at URBTIX. Discount offers and Programme Plus Events are available, please call 2329 7803 or email info@ccdc.com.hk for more information.

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Dream of the Red Chamber

March 17 & 18, 7:30pm
By Bright Sheng and David Henry Hwang

A co-production with Hong Kong Arts Festival, thsi new weork by composer Bright Sheng and Tony Award winning playwright David Henry Hwang has its Asian premiere here after its September 2016 world premiere in San Francisco.  Based on Cao Xueqin's novel, it turns on the love triangle of nobleman Bao Yu and the two very different women in his life...

 

 

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Pina Bausch

March 8-11, 7:30pm

Two classic works of Pina Bausch from her Tanztheater Wuppertal: Cafe Muller and The Rite of Spring.

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Les Ballets Jazz de Montreal

March 3 & 4, 8:15pm

3 pieces from a company renowned for jazzing up ballet classics: programme includes Mono Lisa, Kosmos, Closer and O Balcao de Amor, with choreography by Andonis Foniakdakis, Benjamin Millepied and Itzik Galili.

 

 

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Blossoms on a Spring Moonlit Night

February 28 & March 1, 7:30pm
By Luo Zhou

Inspired by a Tang dynasty poem, this new production tells of star crossed lovers spanning the world of men, ghosts and deities, uniting leading lights of Chinese opera and theatre from mainland China and Taiwan.

 

 

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The Makropulos Case

February 23 & 25, 7:30pm
By Janacek

Janacek's penultimate opera (based on Karel Capek's eponymous play) from the same theatre company which premiered it in 1926.  This time round conductor/composer Marko Ivanovic leads an international cast including Swedish soprano Annalena Persson.

 

 

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La Bayadere

February 16-18, 7:30pm February 18 & 19, 2:30pm

In an imagined ancient India, a love triangle leads to intrigue, jealousy and revenge.  Not seen in Hong Kong for more than 20 years, La Bayadere contains one of the most famous scenes in ballet, The Kingdom of the Shades.  This production reinterprets Marius Petipa's original choreography in collaboration with Japanese costume designer Tomio Mohri.

 

 

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Richard III

December 29 & 30, 7:45pm December 31, 5pm
By Shakespeare

Featuring live playback video, live drum music and puppetry, director Ostermeier tackles Shakespeare's renowned play in a new translation by Mayenburg reworking Shakespeare's text into German prose to keep as close to the text's meaning as possible but enabling an avant-garde spin on arch-villain Richard and his serial-killing instincts, latent within each of us. 

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