Review-Starlight Express-Lunchbox Productions
6-10-13
By: Satoshi Kyo
I am old enough to have seen the original production at the Apollo Victoria Theatre in London; and that production was famous for its extensive racetracks that went all the way around the theatre. Just like any company, scaling down mega productions for touring purpose is always a challenge. I saw both the “new” Miss Saigon (2007 in Melbourne) and The Phantom of the Opera (2012 in Cardiff); and needless to say, the iconic elements of the original productions such as landing helicopter or crashing chandelier were all gone to lesser effect. The companies can claim “new” production but definitely not “better” or “improved”.
In the case of this Starlight Express, the iconic racetracks were replaced with what they blatantly promoted as “Featuring 3D Effects”. It was totally unnecessary because the effect was not exactly something spectacular to shout about. It was literally just a 3D film of the races that replaced what was supposed to happen on stage. It was an acceptable replacement and effect, but just not impressive enough to be highlighted. The first time I saw 3D effects integrated into live theatre was when I saw a Sleeping Beauty pantomime in UK last year; and it was kind of charming to see the Prince make his “to-the-rescue” journey in a 3D film. At least with the Sleeping Beauty pantomime, the actor was interacting with the film; the 3D was a special effect and NOT a replacement medium from live theatre to film.
Okay, now that I’ve got that out of the way, I actually believe that a younger audience (not old enough to have seen the original) would actually like it. Fine, I actually enjoyed it also. The production (directed and choreographed by Arlene Phillips) packed a clear, tight and fun narrative that oozed with sweet corny nostalgia and youthful vibes. In fact, by losing the huge racetrack spectacle, the material gained some charm and focus. Some of the songs were updated with funky modern beat, which gave the production a glossy varnish without messing with the core material.
The design by John Napier remained effective and true to its 80’s roots. Nick Richings lighting design was impeccable throughout except for only one moment when the follow spot narrowly focused too long on Rusty’s head in the Starlight Sequence and when he was lifted up, Rusty’s head looked decapitated and floating. The highlight of the show, however, was the strong and energetic cast. Kristofer Harding was an endearing and naïve Rusty. Mykal Rand (associate director and choreographer) was every bit deliciously camp as Elektra.
I would highly recommend this show to anyone who hasn’t seen Starlight Express and the only reservation I have is the ticket prices at $950 (stalls), $850 (stalls and circle), $595 and $395 (gallery).
Starlight Express is playing at the HKAPA through October 27th. For more information, click here.
Comments
Josan
How did this get such a high rating? It was dreadful!
03 December 2013